Royalty Free Music

April 9, 2020

I started creating music on my computer in the year 2000 using Sonic Foundry (now owned by Sony) Acid 1.0. For the past two decades, I’ve created over 200 electro-experimental songs and am making many of them available to anyone that wants to use them, royalty-free.

These original music below is made available under Creative Commons licensing. In order to use this media at no-cost, you must adhere to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, in which you are required to give credit to the original author. You may not use this for commercial purposes.

*Remixes are not subject to this license and the owner of the original work holds all rights to the publication, distribution, and sales of the work. In other words, I do not monetize or publicize my remixes and they cannot be used in any commercial works.

CLASSICS Collection (2000-2006)

CLASSICS Collection brings together songs I created from 2000 to 2006, capturing the very beginning of my journey into music production. These tracks were made late at night upstairs in my parents’ house in Tennessee, learning everything by experimentation, repetition, and instinct.

My first DAW was ACID by Sonic Foundry, the first music software I remember seeing on a shelf at Best Buy. Its loop-based workflow shaped how I thought about music from the start. I was stacking loops, stretching time, chopping pieces apart, and slowly learning how to make sounds work together, even when I didn’t fully understand what I was doing yet.

The goal back then was simple: make music that would hit hard enough to bust a subwoofer. Heavy bass, aggressive rhythms, and tracks built to be played loud, whether through blown-out car speakers or whatever system was nearby. Loudness and impact mattered more than polish.

These songs document six years of growth, experimentation, and an evolving sound. You can hear the rough edges, the mistakes, and the moments where things finally start to click. CLASSICS Collection isn’t about perfection — it’s about origin. The sound of discovery, obsession, and learning in real time, before expectations, before refinement, when the only rule was to make something that felt powerful.

The Experiments (2007–2019)

The Experiments marks a long stretch of exploration, curiosity, and creative risk-taking. Created between 2007 and 2019, this collection reflects a period where I intentionally pushed beyond my early sound to explore new genres, textures, and approaches to songwriting and production.

This era has noticeably more variety. I was no longer just chasing impact or volume. I was testing moods, tempos, structures, and influences, seeing what stuck and what didn’t. Some tracks lean melodic, others atmospheric, others rhythm-driven. The common thread is experimentation for its own sake.

You can also hear a clear jump in musicianship during this period, especially on keys. My keyboard skills improved significantly, and several tracks feature full keyboard solos rather than loop-driven parts. Playing became as important as programming, and performances started driving the compositions instead of sitting on top of them.

The Experiments isn’t about landing on a single identity. It’s about searching for one. This collection captures years of trying new ideas, breaking habits, and letting curiosity lead, even when the results were unpredictable. It represents growth through exploration, and the confidence to follow ideas wherever they went.

Pretendo Remixes (2012-2014)

Pretendo Remixes is a collection of Nintendo-inspired tracks created between 2012 and 2014. Each song is an original composition built from the melodies, moods, and energy of some of my favorite childhood video games, reimagined with modern synths, drums, and production.

Rather than sampling game audio directly, these tracks were composed from scratch. I rebuilt familiar themes through my own lens, translating 8-bit nostalgia into full, layered arrangements that balance retro influence with contemporary sound design. The result is music that feels recognizable without being copied, playful without being novelty.

This album sits at the intersection of memory and creativity. It reflects the games that shaped my imagination growing up, filtered through years of production experience and experimentation. Pretendo Remixes is both a tribute and a reinterpretation — a way of revisiting those worlds using the tools and skills I had developed as an adult.

Rap-Comedy Album Project

In 2019, I wrote and produced a fake comedy-rap album, which was performed by comedian and actor, Rob Moccio. The lyrics are NSFW and blatantly shocking. The album was part of film we were co-producing together, titled “Falling Together: The Rise and Fall of Upside Down Creative Media.

The lyrics are NSFW and blatantly shocking. The album was part of film we were co-producing together, titled “Falling Together: The Rise and Fall of Upside Down Creative Media.

The film has yet to be released or completed due to the COVID-19 pandemic, but you can enjoy clips of the series on YouTube or Instagram.